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Inkpress Paper

Inkpress Paper

  1.  

    When you’re doing highly detailed photographic work, you ideally, don’t want the details of the image to be clouded when it’s printed out on paper. So although inkjet glossy photo paper is the most common choice for photographs, premium matte photo paper could be more practical. With matte photo paper, the images will most likely appear sharper and more defined and the details will really pop.

    Colors will also be more vibrant. So if you’re working on color photography and really want to capture the reality of the image and every detail in true form, you would be better off sticking with a matte photo paper like Inkpress Linen Matte. The linen matte has the non-reflective qualities you want, but with enough texture to give it a unique yet professional feel. In addition, its texture is subtle enough that it doesn’t affect image quality at all. For enlargements or reprinting, this paper is truly the best option. The images will still look bolder and sharper, even when blown up to a larger size.

    For the best selection of premium matte photo paper, including Inkpress Linen Matte, be sure to visit Photopaperplus.com!

  2. Adhesive Vinyl Sheets, You Rock

    Back in the day, people interested in DIY sticker or decal making used contact paper. You remember the stuff your grandmother lined her shelves with? There was a mildly complicated process to make sure the paper was sticky enough, glossy enough, waterproof enough. It was fun, if you're into messy projects (I was), but it's no wonder not many people got into it.

    Want to know the secret to today's DIY sticker and decal projects? Drum roll, please!
    Adhesive vinyl sheets.

    Maybe you were hoping for something more dramatic, but adhesive vinyl sheets are where it's at when it comes to printing your own stickers or decals.

    As an art school student turned producer for local indie bands, I've started to think of adhesive vinyl sheets as my best friend. If I've gone to the trouble of printing a postcard for a show, and then we need to change the date, or use leftovers for another show, I just print new stickers for the back of the postcard and voila, problem solved.

    Ditto for promotional stickers! I love this stuff. If you're still using contact paper, let me just say, the glory days of sticker making are now, my friend. Join the fun.

     

  3. "Inkpress has one of the widest spectrums of printing products in the digital arena, with papers that appeal to educators, to dedicated hobbyists and to demanding professionals alike. Inkpress's new Baryta Warm Tone paper is stunning with a sensuous surface and inviting base color, for those printers seeking a paper with the look and feel of fine silver gelatin printing paper. If you can't find a paper in the Inkpress line that fits your budget or has the premium quality and surface you demand, you probably need glasses!

    As other transparency film suppliers narrow their selection of sheet sizes, Inkpress continues to offer a full range of sheet and roll film sizes that accept both dye and pigment inks. The digital inkjet negatives I make with Inkpress Transparency Film rival any digital negatives I've made over the past 16 years."

    About Dan:

    Dan Burkholder was one of the first photographic artists to embrace digital technology in the early 1990’s. True to his love of the traditional photograph, Dan uses digital technology to build images that still look and feel like real photographs, not like something from a graphic designer’s portfolio. Melding his unique vision with mastery of both the wet and digital darkrooms, his platinum prints are now included in many museum and private collections.
    Originating the digital-negative process in 1992, Burkholder has helped open doors for all black and white photographers interested in moving into the new electronic technologies. His award-winning book, Making Digital Negatives for Contact Printing, is regarded as the most authoritative work in the field.
    Dan has taught classes and workshops at the School of the Art Institute of Chicago, the lnternational Center of Photography in New York, the University of Texas at San Antonio, the Museum of Photographic Arts in San Diego and others. Active with the Texas Photographic Society for many years, he is currently serving on the Advisory Board for this organization.
    Dan Burkholder was born in Hagerstown, Maryland, an agri-industrial community in the Appalachian Mountains. He attended Franklin and Marshall College in Lancaster, Pennsylvania and Brooks Institute of Photography in Santa Barbara, California, where he received his BA and Masters Degrees in Photography.
    Dan lives in Palenville, New York, with his wife, Jill Skupin Burkholder, and their six cats.
    Besides photography, Dan enjoys spending time with Jill, motorcyling, and exploring their new home in the Hudson River Valley. Dan remains hopeful that a different political climate (one not dominated by greed monsters and religious zealots) will return America to her rightful place as a nation of justice and generosity.

    Visit Dan's website at www.danburkholder.com

    professional photo


  4. Getting the Most From Your Printer With Custom Profiles for
    Inkpress Photo Paper!

    Now that you've made the decision to try new paper types to take your printing to the next level of quality, it's important to know how to use the paper profiles with your printer.

    Below are two links for instructions on how to use Inkpress ICC Profiles one for Windows and one for Macintosh. The Photoshop and Lightroom setting are identical on each platform but the printer dialogs vary widely from one operation system to another.

    To get started click on one of the links below:

    Instruction on how to use Inkpress icc profiles on MAC   
    Instruction on how to use Inkpress icc profiles on WINDOWS

     

  5. Inkpress Paper has a complete line of photo papers for every printing need, including RC-type gloss and luster papers, fine art papers, and films. Inkpress has high-quality papers and manages to sell them for less than other name brands, making them a good choice for anyone on a budget or just interested in trying some new surfaces. I tested the Luster paper and found that it was very similar to the Epson Premium Luster in texture and weight. The Inkpress version is slightly whiter than the Epson paper and has a very impressive 2.16 D-max. This paper worked very well for both the portrait and color images, although I found a bit more bronzing on the black and white print than some of the other papers.

    For a gloss paper, I printed to the White Gloss Film. This paper has a very bright white surface, and as the name implies, is a very smooth surface. With a D-max of 2.15, the paper holds excellent shadow detail and very good saturation for color. It’s a nice paper for black and white printing as well as color.

    Their Rag paper is available in two weights—200gsm and 300gsm, and in both warm and cool tones. The Warm Tone appears to be a standard rag with no optical brighteners, while the Cool Tone is a whiter finish. Both papers are dual-sided, making them a good choice for proofing, books, and portfolios. The papers have more texture than the Epson UltraSmooth Fine Art and are very similar to Hahnemühle’s Photo Rag. The Rag paper lent itself well to all three prints used for these tests.

    Finally, I tested their fiber paper, Fiber Gloss. At 250gsm, it’s a little thinner than some of the other fiber-based papers, which helps with feeding through the printer. What makes the Fiber Gloss unique among the fiber papers I looked at is the finish of the paper. It more closely resembles a traditional gloss paper than other fiber-based papers, with a very smooth surface. D-max is good at 1.96, and the paper works very well for black and white prints.
  6. Inkpress Paper has a complete line of photo papers for every printing need, including RC-type gloss and luster papers, fine art papers, and films. Inkpress has high-quality papers and manages to sell them for less than other name brands, making them a good choice for anyone on a budget or just interested in trying some new surfaces. I tested the Luster paper and found that it was very similar to the Epson Premium Luster in texture and weight. The Inkpress version is slightly whiter than the Epson paper and has a very impressive 2.16 D-max. This paper worked very well for both the portrait and color images, although I found a bit more bronzing on the black and white print than some of the other papers.

    For a gloss paper, I printed to the White Gloss Film. This paper has a very bright white surface, and as the name implies, is a very smooth surface. With a D-max of 2.15, the paper holds excellent shadow detail and very good saturation for color. It’s a nice paper for black and white printing as well as color.

    Their Rag paper is available in two weights—200gsm and 300gsm, and in both warm and cool tones. The Warm Tone appears to be a standard rag with no optical brighteners, while the Cool Tone is a whiter finish. Both papers are dual-sided, making them a good choice for proofing, books, and portfolios. The papers have more texture than the Epson UltraSmooth Fine Art and are very similar to Hahnemühle’s Photo Rag. The Rag paper lent itself well to all three prints used for these tests.

    Finally, I tested their fiber paper, Fiber Gloss. At 250gsm, it’s a little thinner than some of the other fiber-based papers, which helps with feeding through the printer. What makes the Fiber Gloss unique among the fiber papers I looked at is the finish of the paper. It more closely resembles a traditional gloss paper than other fiber-based papers, with a very smooth surface. D-max is good at 1.96, and the paper works very well for black and white prints.
  7. Jon Canfield is a landscape and nature photographer located in the Pacific Northwest. The author of 6 books on digital photography and printing, Jon is recognized as an expert on digital output and color management and has worked with companies like Canon, HP, Pantone and Microsoft. He currently writes the Output Options column in Shutterbug magazine and is a frequent contributor to Outdoor Photographer, PC Photo, and Digital Photo Pro magazines as well as the photographyBLOG.com website.

    Jon says “My favorite paper is the Inkpress Pro Silky. This paper has an excellent weight and finish with outstanding dMax that makes it ideal for the type of images I shoot, both color and black & white. I'm also a fan of the Inkpress Pro Baryta paper for black & white work with a more traditional darkroom look. The paper handles well and gives me beautiful gray tones that I love.”
    Jon's work can be seen at
    www.joncanfield.com.

    image on professional photo paper

  8. Jon Canfield is a landscape and nature photographer located in the Pacific Northwest. The author of 6 books on digital photography and printing, Jon is recognized as an expert on digital output and color management and has worked with companies like Canon, HP, Pantone and Microsoft. He currently writes the Output Options column in Shutterbug magazine and is a frequent contributor to Outdoor Photographer, PC Photo, and Digital Photo Pro magazines as well as the photographyBLOG.com website.

    Jon says “My favorite paper is the Inkpress Pro Silky. This paper has an excellent weight and finish with outstanding dMax that makes it ideal for the type of images I shoot, both color and black & white. I'm also a fan of the Inkpress Pro Baryta paper for black & white work with a more traditional darkroom look. The paper handles well and gives me beautiful gray tones that I love.”
    Jon's work can be seen at
    www.joncanfield.com.

    image on professional photo paper

  9. Inkpress Pro Paper was just added to our line of Photo Paper it’s a new line of professional inkjet photo paper. Made and marketed internationally by Sihl, the “Inkpress Pro” line includes three different qualities designed for professional and discriminating enthusiasts looking for the ultimate quality from their digital images.

    Inkpress Pro Silky is a 300 gsm paper with a micro-textured surface that allows handling without fingerprints or artifacts and also minimizes gloss differential.  Inkpress Pro Silky has high d-max with excellent gray tones and high contrast, combined with excellent saturation for color fidelity and beautiful skin tone reproduction.

    Inkpress Pro Gloss is a 330 gsm ultra smooth glossy photo paper. Offering high saturation and beautiful tonal range, Inkpress Pro Gloss is an excellent choice for color or black and white prints where contrast and detail are essential.

    Inkpress Pro Baryta Warm is a true fiber based 290 gsm paper with a genuine baryta coating that reproduces the classic look and feel of traditional baryta papers used in chemical darkrooms. The paper contains barium sulphate to improve image definition and color gamut while giving an exceptionally high d-max. Ideal for today’s pigment ink printers from Canon, Epson, and HP, Inkpress Pro Baryta Warm is an excellent choice for black and white printing with a smooth finish and excellent gray tones. Award winning photographer and master print maker Jon Canfield says “I’ve been impressed with the quality of the Sihl line, and I’m happy that Inkpress is making it more available. The new Inkpress Baryta is my favorite paper for black and white printing, with beautiful and subtle gray tones, and my customers love the look of the Silky and Gloss papers. I’ve used a number of different papers, but none beat the quality of the Inkpress Pro media.”

    Common to all, professional photo papers in the Inkpress Pro line are consistent quality and color reproduction, one print to the next. In addition, all yield excellent archival properties when printed with pigment inks. All professional photo papers are available in a variety of cut sheet sizes from 8.5x11" sheets and rolls up to 44”.

  10. Thier goal Inkpress's goal is a commitment to provide the ultimate quality in professional inkjet media. Inkpress paper has the advantage of working directly with some of the best paper mills available. These mills were carefully chosen because of their standards and expertise in the manufacturing of quality inkjet media, which involves both paper base production and coating. There is an abundance of knowledge available both on the part of Inkpress as a company and there paper mills that has qualified them one of the leading manufacturers of inkjet photo paper, inkjet art paper and all inkjet media. We also enjoy the guidance and advice from the experts on paper development.

    Their commitment  is to provide the highest quality inkjet photo paper with unparallel tech support to the satisfaction of there discerning professionals. With the rapid development in inkjet media, they are dedicated to keep abreast of all new developments in this industry and as a result remain one the leading manufacturers in the field.

  11. Inkpress Paper

    Father and son team 
    Paul & Zack Dats were the founders of  Inkpress Paper. They are both graduates of the school of art at the Hermitage  museum , St Petersburg, Russia. Love for quality art and photography , Zack’s wealth of  experience as sales manager of photo supply companies coupled with Paul’s engineering background in the printing industry sets the stage for the launching of "Inkpress Paper''.
Inkpress Paper Reviews - What Proffesionals Say!

Inkpress Paper Reviews - What Proffesionals Say!

  1.  

    When you’re doing highly detailed photographic work, you ideally, don’t want the details of the image to be clouded when it’s printed out on paper. So although inkjet glossy photo paper is the most common choice for photographs, premium matte photo paper could be more practical. With matte photo paper, the images will most likely appear sharper and more defined and the details will really pop.

    Colors will also be more vibrant. So if you’re working on color photography and really want to capture the reality of the image and every detail in true form, you would be better off sticking with a matte photo paper like Inkpress Linen Matte. The linen matte has the non-reflective qualities you want, but with enough texture to give it a unique yet professional feel. In addition, its texture is subtle enough that it doesn’t affect image quality at all. For enlargements or reprinting, this paper is truly the best option. The images will still look bolder and sharper, even when blown up to a larger size.

    For the best selection of premium matte photo paper, including Inkpress Linen Matte, be sure to visit Photopaperplus.com!

  2. Adhesive Vinyl Sheets, You Rock

    Back in the day, people interested in DIY sticker or decal making used contact paper. You remember the stuff your grandmother lined her shelves with? There was a mildly complicated process to make sure the paper was sticky enough, glossy enough, waterproof enough. It was fun, if you're into messy projects (I was), but it's no wonder not many people got into it.

    Want to know the secret to today's DIY sticker and decal projects? Drum roll, please!
    Adhesive vinyl sheets.

    Maybe you were hoping for something more dramatic, but adhesive vinyl sheets are where it's at when it comes to printing your own stickers or decals.

    As an art school student turned producer for local indie bands, I've started to think of adhesive vinyl sheets as my best friend. If I've gone to the trouble of printing a postcard for a show, and then we need to change the date, or use leftovers for another show, I just print new stickers for the back of the postcard and voila, problem solved.

    Ditto for promotional stickers! I love this stuff. If you're still using contact paper, let me just say, the glory days of sticker making are now, my friend. Join the fun.

     

  3. "Inkpress has one of the widest spectrums of printing products in the digital arena, with papers that appeal to educators, to dedicated hobbyists and to demanding professionals alike. Inkpress's new Baryta Warm Tone paper is stunning with a sensuous surface and inviting base color, for those printers seeking a paper with the look and feel of fine silver gelatin printing paper. If you can't find a paper in the Inkpress line that fits your budget or has the premium quality and surface you demand, you probably need glasses!

    As other transparency film suppliers narrow their selection of sheet sizes, Inkpress continues to offer a full range of sheet and roll film sizes that accept both dye and pigment inks. The digital inkjet negatives I make with Inkpress Transparency Film rival any digital negatives I've made over the past 16 years."

    About Dan:

    Dan Burkholder was one of the first photographic artists to embrace digital technology in the early 1990’s. True to his love of the traditional photograph, Dan uses digital technology to build images that still look and feel like real photographs, not like something from a graphic designer’s portfolio. Melding his unique vision with mastery of both the wet and digital darkrooms, his platinum prints are now included in many museum and private collections.
    Originating the digital-negative process in 1992, Burkholder has helped open doors for all black and white photographers interested in moving into the new electronic technologies. His award-winning book, Making Digital Negatives for Contact Printing, is regarded as the most authoritative work in the field.
    Dan has taught classes and workshops at the School of the Art Institute of Chicago, the lnternational Center of Photography in New York, the University of Texas at San Antonio, the Museum of Photographic Arts in San Diego and others. Active with the Texas Photographic Society for many years, he is currently serving on the Advisory Board for this organization.
    Dan Burkholder was born in Hagerstown, Maryland, an agri-industrial community in the Appalachian Mountains. He attended Franklin and Marshall College in Lancaster, Pennsylvania and Brooks Institute of Photography in Santa Barbara, California, where he received his BA and Masters Degrees in Photography.
    Dan lives in Palenville, New York, with his wife, Jill Skupin Burkholder, and their six cats.
    Besides photography, Dan enjoys spending time with Jill, motorcyling, and exploring their new home in the Hudson River Valley. Dan remains hopeful that a different political climate (one not dominated by greed monsters and religious zealots) will return America to her rightful place as a nation of justice and generosity.

    Visit Dan's website at www.danburkholder.com

    professional photo


  4. Getting the Most From Your Printer With Custom Profiles for
    Inkpress Photo Paper!

    Now that you've made the decision to try new paper types to take your printing to the next level of quality, it's important to know how to use the paper profiles with your printer.

    Below are two links for instructions on how to use Inkpress ICC Profiles one for Windows and one for Macintosh. The Photoshop and Lightroom setting are identical on each platform but the printer dialogs vary widely from one operation system to another.

    To get started click on one of the links below:

    Instruction on how to use Inkpress icc profiles on MAC   
    Instruction on how to use Inkpress icc profiles on WINDOWS

     

  5. Inkpress Paper has a complete line of photo papers for every printing need, including RC-type gloss and luster papers, fine art papers, and films. Inkpress has high-quality papers and manages to sell them for less than other name brands, making them a good choice for anyone on a budget or just interested in trying some new surfaces. I tested the Luster paper and found that it was very similar to the Epson Premium Luster in texture and weight. The Inkpress version is slightly whiter than the Epson paper and has a very impressive 2.16 D-max. This paper worked very well for both the portrait and color images, although I found a bit more bronzing on the black and white print than some of the other papers.

    For a gloss paper, I printed to the White Gloss Film. This paper has a very bright white surface, and as the name implies, is a very smooth surface. With a D-max of 2.15, the paper holds excellent shadow detail and very good saturation for color. It’s a nice paper for black and white printing as well as color.

    Their Rag paper is available in two weights—200gsm and 300gsm, and in both warm and cool tones. The Warm Tone appears to be a standard rag with no optical brighteners, while the Cool Tone is a whiter finish. Both papers are dual-sided, making them a good choice for proofing, books, and portfolios. The papers have more texture than the Epson UltraSmooth Fine Art and are very similar to Hahnemühle’s Photo Rag. The Rag paper lent itself well to all three prints used for these tests.

    Finally, I tested their fiber paper, Fiber Gloss. At 250gsm, it’s a little thinner than some of the other fiber-based papers, which helps with feeding through the printer. What makes the Fiber Gloss unique among the fiber papers I looked at is the finish of the paper. It more closely resembles a traditional gloss paper than other fiber-based papers, with a very smooth surface. D-max is good at 1.96, and the paper works very well for black and white prints.
  6. Inkpress Paper has a complete line of photo papers for every printing need, including RC-type gloss and luster papers, fine art papers, and films. Inkpress has high-quality papers and manages to sell them for less than other name brands, making them a good choice for anyone on a budget or just interested in trying some new surfaces. I tested the Luster paper and found that it was very similar to the Epson Premium Luster in texture and weight. The Inkpress version is slightly whiter than the Epson paper and has a very impressive 2.16 D-max. This paper worked very well for both the portrait and color images, although I found a bit more bronzing on the black and white print than some of the other papers.

    For a gloss paper, I printed to the White Gloss Film. This paper has a very bright white surface, and as the name implies, is a very smooth surface. With a D-max of 2.15, the paper holds excellent shadow detail and very good saturation for color. It’s a nice paper for black and white printing as well as color.

    Their Rag paper is available in two weights—200gsm and 300gsm, and in both warm and cool tones. The Warm Tone appears to be a standard rag with no optical brighteners, while the Cool Tone is a whiter finish. Both papers are dual-sided, making them a good choice for proofing, books, and portfolios. The papers have more texture than the Epson UltraSmooth Fine Art and are very similar to Hahnemühle’s Photo Rag. The Rag paper lent itself well to all three prints used for these tests.

    Finally, I tested their fiber paper, Fiber Gloss. At 250gsm, it’s a little thinner than some of the other fiber-based papers, which helps with feeding through the printer. What makes the Fiber Gloss unique among the fiber papers I looked at is the finish of the paper. It more closely resembles a traditional gloss paper than other fiber-based papers, with a very smooth surface. D-max is good at 1.96, and the paper works very well for black and white prints.
  7. Jon Canfield is a landscape and nature photographer located in the Pacific Northwest. The author of 6 books on digital photography and printing, Jon is recognized as an expert on digital output and color management and has worked with companies like Canon, HP, Pantone and Microsoft. He currently writes the Output Options column in Shutterbug magazine and is a frequent contributor to Outdoor Photographer, PC Photo, and Digital Photo Pro magazines as well as the photographyBLOG.com website.

    Jon says “My favorite paper is the Inkpress Pro Silky. This paper has an excellent weight and finish with outstanding dMax that makes it ideal for the type of images I shoot, both color and black & white. I'm also a fan of the Inkpress Pro Baryta paper for black & white work with a more traditional darkroom look. The paper handles well and gives me beautiful gray tones that I love.”
    Jon's work can be seen at
    www.joncanfield.com.

    image on professional photo paper

  8. Jon Canfield is a landscape and nature photographer located in the Pacific Northwest. The author of 6 books on digital photography and printing, Jon is recognized as an expert on digital output and color management and has worked with companies like Canon, HP, Pantone and Microsoft. He currently writes the Output Options column in Shutterbug magazine and is a frequent contributor to Outdoor Photographer, PC Photo, and Digital Photo Pro magazines as well as the photographyBLOG.com website.

    Jon says “My favorite paper is the Inkpress Pro Silky. This paper has an excellent weight and finish with outstanding dMax that makes it ideal for the type of images I shoot, both color and black & white. I'm also a fan of the Inkpress Pro Baryta paper for black & white work with a more traditional darkroom look. The paper handles well and gives me beautiful gray tones that I love.”
    Jon's work can be seen at
    www.joncanfield.com.

    image on professional photo paper

  9. Inkpress Pro Paper was just added to our line of Photo Paper it’s a new line of professional inkjet photo paper. Made and marketed internationally by Sihl, the “Inkpress Pro” line includes three different qualities designed for professional and discriminating enthusiasts looking for the ultimate quality from their digital images.

    Inkpress Pro Silky is a 300 gsm paper with a micro-textured surface that allows handling without fingerprints or artifacts and also minimizes gloss differential.  Inkpress Pro Silky has high d-max with excellent gray tones and high contrast, combined with excellent saturation for color fidelity and beautiful skin tone reproduction.

    Inkpress Pro Gloss is a 330 gsm ultra smooth glossy photo paper. Offering high saturation and beautiful tonal range, Inkpress Pro Gloss is an excellent choice for color or black and white prints where contrast and detail are essential.

    Inkpress Pro Baryta Warm is a true fiber based 290 gsm paper with a genuine baryta coating that reproduces the classic look and feel of traditional baryta papers used in chemical darkrooms. The paper contains barium sulphate to improve image definition and color gamut while giving an exceptionally high d-max. Ideal for today’s pigment ink printers from Canon, Epson, and HP, Inkpress Pro Baryta Warm is an excellent choice for black and white printing with a smooth finish and excellent gray tones. Award winning photographer and master print maker Jon Canfield says “I’ve been impressed with the quality of the Sihl line, and I’m happy that Inkpress is making it more available. The new Inkpress Baryta is my favorite paper for black and white printing, with beautiful and subtle gray tones, and my customers love the look of the Silky and Gloss papers. I’ve used a number of different papers, but none beat the quality of the Inkpress Pro media.”

    Common to all, professional photo papers in the Inkpress Pro line are consistent quality and color reproduction, one print to the next. In addition, all yield excellent archival properties when printed with pigment inks. All professional photo papers are available in a variety of cut sheet sizes from 8.5x11" sheets and rolls up to 44”.

  10. Thier goal Inkpress's goal is a commitment to provide the ultimate quality in professional inkjet media. Inkpress paper has the advantage of working directly with some of the best paper mills available. These mills were carefully chosen because of their standards and expertise in the manufacturing of quality inkjet media, which involves both paper base production and coating. There is an abundance of knowledge available both on the part of Inkpress as a company and there paper mills that has qualified them one of the leading manufacturers of inkjet photo paper, inkjet art paper and all inkjet media. We also enjoy the guidance and advice from the experts on paper development.

    Their commitment  is to provide the highest quality inkjet photo paper with unparallel tech support to the satisfaction of there discerning professionals. With the rapid development in inkjet media, they are dedicated to keep abreast of all new developments in this industry and as a result remain one the leading manufacturers in the field.

  11. Inkpress Paper

    Father and son team 
    Paul & Zack Dats were the founders of  Inkpress Paper. They are both graduates of the school of art at the Hermitage  museum , St Petersburg, Russia. Love for quality art and photography , Zack’s wealth of  experience as sales manager of photo supply companies coupled with Paul’s engineering background in the printing industry sets the stage for the launching of "Inkpress Paper''.
 
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